Auteur Theory P. 2

 The cinema notebooks a magazine started by Andre Bazin and Jacques Donial Valcroze with a group of young French film critics including Francois Truffaut, Jean-Luc Godard, Claude Chabrol and so on. One of the central priniciples of Cahiers, derived from Andre Bazin, is a rejection of montage editing in favor of mise en scene the long take and deep focus allowing the audience to take in the scene as it unfolds. The other priniciple, derived from film critic Alexandre Astrucs, is the concept of camera stylo. It is an idea that a director should wield his camera like a writer uses his pen and that they need not to be hindered by traditional storytelling. Combining these two ideas in an essay in 1954: la politiques des auteurs, Trauffaut attacked the French "cinema of quality" with their heavy emphasis on plot and dialogue. These contemporary French directors, he claimed, added nothing to the script beyond that. 

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